Birds Can Fly is a new series of work made by Paul Harfleet that began in the first #Lockdown. Paul Harfleet began drawings of birds everyday as suggested by his followers. The artist ‘gently references’ the birds he has drawn for his followers in a series of portraits that echo the plumage of the birds, from the lilac breasted roller to the waxwing. Find out more here. Harfleet sells prints of the drawings and ‘gentle references’ here and has recently started an ecologically sound and environmentally friendly clothing line here.
Paul Harfleet plants pansies at sites of homophobic and transphobic abuse; he finds the nearest source of soil to where the incident occurred and generally without civic permission plants one unmarked pansy. The flower is then documented in its location, the image is entitled after the abuse. Titles like “Let’s kill the Bati-man!” and “Fucking Faggot!” reveal a frequent reality of LGBTQ+ experience, which often goes unreported to authorities. This simple action operates as a gesture of quiet resistance; some pansies flourish, others wilt in urban hedgerows.
On The Pansy Project Map below, all the pansies that have been planted over the last fifteen years at sites of homophobia and transphobia have been added with images and titles.
The film above was made by MZM Projects at the Nuart Festival in Stavanger, Norway in 2019: Director Statement: “One way or another, even the documentary nature of this project didn’t stop us from paying sentimental tribute to our favourite gay artists: Derek Jarman, Robert Mapplethorpe, Luca Guadagnino and surely Paul Harfleet. With this piece, we want to believe that the day “when homophobia ended” becomes one step closer.” – Kristina Borhes.
Paul Harfleet plants pansies at the site of homophobic abuse; he finds the nearest source of soil to where the incident occurred and generally without civic permission plants one unmarked pansy. The flower is then documented in its location, the image is entitled after the abuse. Titles like “Let’s kill the Bati-man!” and “Fucking Faggot!” reveal a frequent reality of LGBTQ+ experience, which often goes unreported to authorities. This simple action operates as a gesture of quiet resistance; some pansies flourish, others wilt in urban hedgerows.
The artist began by planting pansies to mark his own experience of homophobia on the streets of Manchester UK, he now plants pansies for others both on an individual basis and as part of various festivals and events. Increasingly his developing practice involves film making, at each location he visits, the artist makes a short film revealing the historical, cultural and personal histories of the plantings, these films have been shown at various institutions and festivals including the Everybody’s Perfect Festival in Geneva, The Spencer Museum of Art, Kansas and most recently in Ottawa at the National Gallery of Canada. If Homophobia Ended Tomorrow, below was shown as part of the on-line iteration of the the Nuart Aberdeen Festival during the #Lockdown.
HOW IT BEGAN – BY PAUL HARFLEET
A string of homophobic abuse on a warm summer’s day was the catalyst for this project. The day began with two builders shouting; “it’s about time we went gay-bashing again isn’t it?”; continued with a gang of yobs throwing abuse and stones at my then boyfriend and me, and ended with a bizarre and unsettling confrontation with a man who called us ‘ladies’ under his breath.
Over the years I have become accustomed to this kind of behaviour, but I came to realise it was a shocking concept to most of my friends and colleagues. It was in this context that I began to ponder the nature of these verbal attacks and their influence on my life. I realised that I felt differently about these experiences depending on my mental state so I decided to explore the way I was made to feel at the location where these incidents occur.
However, I did not feel it would be appropriate to equate my personal experience of verbal homophobic abuse with a death or fatal accident; I felt that planting a small unmarked living plant at the site would correspond with the nature of the abuse: A plant continues to grow as I do through my experience. Placing a live plant felt like a positive action, it was a comment on the abuse; a potential ‘remedy’.
The species of plant was of course vitally important and the pansy instantly seemed perfect. Not only does the word refer to an effeminate or gay man: The name of the flower originates from the French verb; penser (to think), as the bowing head of the flower was seen to visually echo a person in deep thought. The subtlety and elegiac quality of the flower was ideal for my requirements. The action of planting reinforced these qualities, as kneeling in the street and digging in the often neglected hedgerows felt like a sorrowful act.
Paul Harfleet has appeared on TV, Radio and various podcasts talking about his work and has been the subject of documentaries, most notably Les Pensées de Paul made in 2015 in France by Canal+, directed by Jean Baptiste-Erreca and won several international film awards. He has also spoken at many different events from M&S HQ, the British Library and most recently at the Nuart Festival in Stavanger, Norway. If you’d like to book the artist for an appearance contact him here.
Use The Pansy Project map below to explore all the locations that have been marked. Further below is a selection of the most recent international visits shown in picture and video.
The Pansy Project presented in association with Antwerp Queer Arts Festival, Antwerp Pride and The Antwerp Police. Due to the Corona virus these Pansy Paste Ups were installed by partners in Antwerp. Huge thanks to all involved who were able to support The Pansy Project in Antwerp.
New York, USA
Washington D.C. USA
Lawrence, Kansas, USA
Paris, Lyon, Lille, Le Ledat and Strasbourg, these plantings were all made during the making of Les Pensées de Paul , a feature length documentary directed by Jean Baptiste Erreca, Available below to watch.
Increasingly Paul Harfleet creates a short film whenever he visits a location to plant pansies. This medium allows the artist to reveal more about the nature of the plantings at sites of homophobia and transphobia. These short films have been shown in various festivals and contexts around the world. Most recently The Pansy Project Canada was shown at the Inside Out LGBT Film Festival at the National Gallery of Canada in Ottawa. The films below are free to view.